• 1979-12-28
  • Set 1 Sugaree Mama Tried -> Mexicali Blues Row Jimmy It's All Over Now High Time The Music Never Stopped Set 2 Alabama Getaway -> Greatest Story Ever Told Terrapin Station -> Playing In The Band -> Drums -> Space -> Uncle John's Band -> I Need A Miracle -> Bertha -> Good Lovin' Encore Casey Jones One More Saturday Night
  • gd1979-12-28.mtx.seamons.94267.sbeok.flac16
  • Hunter Seamons
  • Matrix
  • Soundboard
  • *Matrix* ---------------------------------------------------- SBD: Source: SBD > MR > PCM > DAT > WAV > FLAC. DAT provided by B.Koucky/B.Fried. Transfer/mastering: DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transferred and mastered by ChrisL. Seeded by the Green Mountain Bros. at, September 2007. ---------------------------------------------------- AUD: Taper: Steve Rolfe 1st row balcony left side about a 1/4 to 1/3 back from the stage. Source: nak 700's > d5 > DAT > cdr Encoding: CDR > EAC(secure) > Cool Edit > CDWAV > mkwact > shn(seekable) by Thanks to Dave Minor for the cd's Part of The Music Never Stopped Project 2003 ----------------------------------------------------- Thank you to Chris Ladner, Bill Koucky, and B. Fried for the SBD transfer; to Steve Rolfe for recording the show; to Matt Vernon for the AUD transfer; and to Dave Minor for the CD's that beheld the AUD. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 30, 2008 Notes: 1) Fades were used to create a "seamless" (i.e. continuous) AUD track. 2) The transition between discs is seamless. 3) Show notes by Eric F. Wybenga, from his book, "Dead to the Core": "This show opens with an all-time Sugaree and picks up from there. The second set is sick from start to end, starting with a very clearly sung and played Alabama>Greatest and a Terrapin>Playin' that's nothing short of phenomenal. Jerry's singing in the Terrapin is very sensitive, and the band jams it out fully before going into a Playin' of historic proportions, highlighted by Brent's lush, otherworldly synth runs. The post-Drums cascade is a series of momentum-building, flawless transitions between exciting versions of Uncle John's, Miracle, Bertha, and Good Lovin'. The Casey Jones encore, like the rest of the show, has that little bit more that kicks it into another realm. This one's hot, a must-have."
  • Grateful Dead Live at Oakland Auditorium on 1979-12-28
  • Matrix mix (SBD/AUD)